The Informants
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| - | [[Image:TheInformant.PNG|thumb|right| | + | [[Image:TheInformant.PNG|thumb|right|"Looking for information?"]] |
| - | '''The | + | '''The Informants''' (played by [[Strong Sad]], credited as "El [[Dump]]o the Wide") are four brothers who live around the world, providing information to [[Dangeresque (character)|Dangeresque]] to help him solve the theft of [[Professor Experimento]]'s launch codes and [[Sultry Buttons]]'s rash of jewel thefts. Though they appear identical, each one has a different occupation and a different accent. Stinky the Peeve, in Venice, is a psychic who can discover things about objects and their owners by touching them. Cecil VanGough is a respected art critic and art collector in Ireland. In Cairo, the "Moving Man" works as a professional fence. The brother in Paris is a psychological profiler who goes unnamed. [[Perducci]] disguises himself and pretends to be a fifth brother named Stooley Ratweasel in Tokyo. |
| - | ==Complete Filmography== | + | == Complete Filmography == |
*'''Debut:''' [[Dangeresque 3: The Criminal Projective]] | *'''Debut:''' [[Dangeresque 3: The Criminal Projective]] | ||
| - | + | {{Dangeresque|cat=Dangeresque Characters}} | |
| - | {{Dangeresque}} | + | |
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Current revision as of 22:22, 16 January 2024
The Informants (played by Strong Sad, credited as "El Dumpo the Wide") are four brothers who live around the world, providing information to Dangeresque to help him solve the theft of Professor Experimento's launch codes and Sultry Buttons's rash of jewel thefts. Though they appear identical, each one has a different occupation and a different accent. Stinky the Peeve, in Venice, is a psychic who can discover things about objects and their owners by touching them. Cecil VanGough is a respected art critic and art collector in Ireland. In Cairo, the "Moving Man" works as a professional fence. The brother in Paris is a psychological profiler who goes unnamed. Perducci disguises himself and pretends to be a fifth brother named Stooley Ratweasel in Tokyo.
