Editing the paper

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*When the email was originally released, the background crowd noise after The Paper blocked Homestar's shot was somewhat louder and overlapped Homestar's line as well as Homsar's bit. By the end of the first day of release, the background cheers were reduced at the block, and eliminated altogether as Homestar begins to speak.
*When the email was originally released, the background crowd noise after The Paper blocked Homestar's shot was somewhat louder and overlapped Homestar's line as well as Homsar's bit. By the end of the first day of release, the background cheers were reduced at the block, and eliminated altogether as Homestar begins to speak.
*Ordinarily, The Paper prints upside-down, with the ''last'' line toward the free edge of the page. When shown together with the printer, however, it prints right-side-up.
*Ordinarily, The Paper prints upside-down, with the ''last'' line toward the free edge of the page. When shown together with the printer, however, it prints right-side-up.
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*In the goth The Paper flashback, the contrast on the Compy can be changed. Normally, this can't be done on zoomed-out shots. The contrast setting remains the same in the next flashback, rather than resetting, like it usually does.
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*In the goth The Paper flashback, the contrast on the Compy can be changed... normally, this can't be done on zoomed-out shots. The contrast setting remains the same in the next flashback, rather than resetting, like it usually does.
*While "Click Here to Email Strong Bad strongbad@homestarrunner.com" is usually plastered over in podcasts, the Podstar version of this email leaves the text of the Goth The Paper unaltered.
*While "Click Here to Email Strong Bad strongbad@homestarrunner.com" is usually plastered over in podcasts, the Podstar version of this email leaves the text of the Goth The Paper unaltered.
*At the end of [[guitar]], Strong Bad uses the same Lighter and only scorches The Paper.
*At the end of [[guitar]], Strong Bad uses the same Lighter and only scorches The Paper.

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